The How Great Thou Art Sessions
- Charles
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Das war damals - im Januar - nur ne Ankündigung und nicht die richtigen Veröffentlichungen. Da sollten sie noch bei "Lovely Music Productions" veröffentlicht werden. Nun sind sie bei 2001, wo es eine neue Manschaft sein soll...
„Zeit, die man zu verschwenden genießt, ist nicht verschwendet.“ — John Lennon
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- Charles
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„Zeit, die man zu verschwenden genießt, ist nicht verschwendet.“ — John Lennon
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- berndes
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Wo kann ich diese tolle CD und evtl. noch andere seltene CD´s von Elvis kaufen. Bei Elvis Records und dem Collectors Service bekommt man solche Sachen ja nicht mehr. Sicher kann mir jemand von Euch helfen. Danke.
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- praytome
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- Charles
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(By David Wilson)
It has been a while since we have had a CD from the 2001 label, and when they put one out and into our hands they never seem to let us the fans down. This is the first of a series of CD's that will feature the recordings from May 25th - 28th 1966 at Nashville's Studio. B. Most famous for the "How Great Thou Art" album, hence the title. The artwork of this CD is worth the price alone it comes with a stunning booklet packed with interesting snippets about each track, like: -
"How Great Thou Art", the song that would eventually become the albums title cut, is inspired by a Sons of the Pioneers record although Elvis relies on a more recent interpretation by the Statesmen. Friend Jerry Schilling saw Elvis recording this track and noted while the singer did just a few takes he was totally "drained" by the songs completion. Shilling believes Elvis touched something "outside the normal experience".
This track starts with Felton stating this is "How Great Thou Art take 1" followed by a little chat and a count in, Felton stops this just as Elvis starts and asks for another take. This you can hear Elvis sing his heart out, and is probably the first time Elvis puts so much into a song, later he would excel himself even further with "Where No One stands Alone" this track has to be one of the highlights of this album. With so much expected form the ending of the song, the only way Elvis could do the song justice was to do a workpart for the ending. As we start to hear from this session a slightly more powerful voice from Elvis, Felton after take 3 of "Where No One Stands Alone" states "God you scared me half to death" this was purely because of the sheer power Elvis put through the microphone.
It's possibly at this session Elvis found he could do a lot more with his voice if he cared to put it to the test, and his voice hadn't been tested for a few years, the last time would have been in the early 60's with "It's Now Or Never and the likes of "Surrender" but no real test to his voice since especially with the movie songs he had to record.
The CD has a fair amount of between take chat, and harmonising by everyone, and this is a pure and utter joy to hear these sessions as close as we can to the way they were originally recorded, and how each track was built to what we would eventually hear in the form of the original album "How Great Thou Art" although no masters takes are on the CD it's not a great loss as we have them anyway in the end form on the fore mentioned LP/CD and if they were on this release they would have had to drop around 15 minutes of the out-takes, and I know which I would rather have.
The back cover of the CD has a nice colour shot of the next instalment "Volume Two" and hopefully it won't be too long before that disc can grace my CD shelf.
The only down side I found on this CD, like many we get from the bootleggers, is the sound! Although this CD is only in <span style='color:white'>mono</span> you still get a great sound blasting out your hi-fi, but if you listen through earphones you can pick up a lot more, and unlike the official releases this is not always a good thing, as on this CD you can hear a slight tinny/bleed/annoying noise how ever you want to describe it. Therefore to get the best result from this CD is not to listen with any earphones, as you will find it hard to pick up this little distortion if you leave them off. This is not a fault of the label, it's a fault on the tapes they have to work with, and until they get full access to BMG vaults it's just something we'll have to put up with, so stick it in your Hi-Fi and enjoy a CD that is sure to become a classic. It's still great sound and a great session…….
<span style='font-size:8pt;line-height:100%'>Quelle: ElvisCollectors.Com</span>
„Zeit, die man zu verschwenden genießt, ist nicht verschwendet.“ — John Lennon
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- susan
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Bin mal gespannt
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- DerHammer
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Although this CD is only in mono you still get a great sound blasting out your hi-fi, but if you listen through earphones you can pick up a lot more, and unlike the official releases this is not always a good thing, as on this CD you can hear a slight tinny/bleed/annoying noise how ever you want to describe it. Therefore to get the best result from this CD is not to listen with any earphones, as you will find it hard to pick up this little distortion if you leave them off.
In meine Ohren klingt diese CD extrem Sch....


Durch die extreme rauschunterdrückung klingt alles wie aus ne Blechdose. Ich hatte erst vermutet das meine Lautsprecher nicht in Ordnung waren und schnell eine andere CD aufgelegt. "Leider" waren es nicht meine Lautsprecher.
Raus geschmissenes Geld also

This is not a fault of the label, it's a fault on the tapes they have to work with,
Ich hatte vor einige Zeit das Glück, ein Sample von der LMP-Box zu hören.

Die haben wohl bessere Tapes gehabt, denn das klang tadelos


Hoffentlich kommt diese Box (auch) raus, denn die CD, von 2001, werde ich schnellstmöglich abgeben

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- DerHammer
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Ob dies wohl eine richtige "2001" Release ist, oder ob es nur ein paar Trittbrett-Fahrer sind, die diese CD rausgebracht haben ??
Der Klang ist so viel schlechter als die CD "Stand By Me", das hier etwas nicht stimmen kann. :angry: :angry:
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- susan
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Ausserdem bin ich mal auf die stereo Versionen von LMP gespannt.
Das die dinger stereo haben ist ja auch das große aushänge Schild von LMP.
Wie gesagt bin mal auf deren release gespannt.
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