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A Boy From Tupelo: The Sun Masters (3 CDs - RCA / Legacy)
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Atomic Powered Poster schrieb: Ich nehme an daß das Buch der FTD-Ausgabe dicker und größer ist als das bei der neuen Version. Zwar ist mir klar daß eine höhere Auflage sich positiv auf den Preis auswirken kann, aber die FTD kostete glaube ich ca. 120,-, beim neuen Set hörte ich irgendwas von 46,- .... unwahrscheinlich daß man da keine Abstriche machen muss.
Wie ich ja bereits schrieb, ist das Buch - und nur als solches kann man es adäquat bezeichnen - mehr als 500 Seiten stark, hat einen dicken Einband und das Set ist im LP Format.
Btw. ich meine mich zu erinnern, dass das Set damals rund 100 Euro kostete.
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www.elvisthemusic.com/elvis-presley-boy-...ings-coming-july-28/
RCA/Legacy Set to Release Elvis Presley – A Boy From Tupelo: The Complete 1953-1955 Recordings on Friday, July 28
Most Comprehensive Early Elvis Library Ever Assembled, 3CD (Physical or Digital) Set Includes Every Known Sun Records Master and Outtake, Live Performances, Radio Recordings, Elvis’ Self-Financed First Acetates, A Newly Discovered Previously Unreleased Recording and More
Deluxe Package Includes 120-page Book Featuring Many Rare Photos & Memorabilia, Detailed Calendar and Essays Tracking Elvis in 1954-1955
A Boy From Tupelo – The Complete 1953-55 Recordings is produced, researched and written by Ernst Mikael Jørgensen.
Elvis Presley – A Boy From Tupelo: The Sun Masters To Be Released on 12″ Vinyl Single Disc
Legacy Recordings, the catalog division of Sony Music Entertainment, and RCA Records will release Elvis Presley – A Boy From Tupelo – The Complete 1953-1955 Recordings on Friday, July 28.
Available as a 3CD deluxe box set and a digital collection, A Boy From Tupelo – The Complete 1953-1955 Recordings is the most comprehensive collection of early Elvis recordings ever assembled, with many tracks becoming available for the first time as part of this package and one performance–a newly discovered recording of “I Forgot To Remember To Forget” (from the Louisiana Hayride, Shreveport, Louisiana, October 29, 1955)–being officially released for the first time ever.
A Boy From Tupelo – The Complete 1953-1955 Recordings includes–for the first time in one collection–every known Elvis Presley Sun Records master and outtake, plus the mythical Memphis Recording Service Acetates–“My Happiness”/”That’s When Your Heartaches Begin” (recorded July 1953) and “I’ll Never Stand in Your Way”/”It Wouldn’t Be the Same (Without You)” (recorded January 4, 1954)–the four songs Elvis paid his own money to record before signing with Sun. A Boy From Tupelo – The Complete 1953-1955 Recordings includes every Elvis live performance and radio recording known to exist from the period.
Essential to the understanding and appreciation of Elvis and his explosive impact on pop music and culture, A Boy From Tupelo – The Complete 1953-55 Recordings presents–in the best possible sound– every known Presley recording from his early career, when the world’s first atomic singer fused blues, pop and hillbilly country swing to create an electrifying new music that changed the world.
A Boy From Tupelo – The Complete 1953-1955 Recordings also includes a 120-page book formatted as an illustrated travelogue and datebook chronicling the genesis of Elvis’ early career via facts, anecdotes, memorabilia and many rare photos. Independence Day 1954 is when this unique American saga begins, less than 24 hours before his first professional recording session, and it ends in December 1955, when the singer leaves Sun Records to record for RCA. The material is organized by calendar entries. During the months July through October 1954, the majority of the calendar is empty, as Elvis had his daytime job with Crown Electric, and music making was confined to the weekends and evening hours. This is Elvis Presley before he becomes world-famous, and an account of how this amazing young man readies himself for stardom, a young man on the pinnacle of an unprecedented level of success. “A boy from Tupelo” would become much more than a world-famous superstar, he would become ELVIS!
Behind the making of A Boy From Tupelo – The Complete 1953-55 Recordings lie more than 1,500 hours of restoration work and nearly 200 hours of additional studio time devoted to the painstaking remastering of the material. The results are stunning.
A Boy From Tupelo – The Complete 1953-55 Recordings is produced, researched and written by Ernst Mikael Jørgensen.
Disc one of A Boy From Tupelo – The Complete 1953-1955 Recordings covers the masters Elvis recorded for Sun Records, some variations, and the four sides he paid for himself. Disc two covers all known outtakes, even just the smallest surviving fragments. Disc three covers all the live and radio recordings known to exist.
On July 28th, Legacy Recordings will also release A Boy From Tupelo: The Sun Masters, a single disc 12″ vinyl package that chronicles the rise of Elvis Presley before he became The King of Rock and Roll. Recorded with producer Sam Phillips, guitarist Scotty Moore and bassist Bill Black during his first incredible year as a professional recording artist (July 1954-July 1955), this collection includes Elvis’ complete single A and B-sides for Sun Records, plus additional songs recorded at Sun Studio and released on his landmark self-titled debut album in 1956.
A Boy From Tupelo – The Complete 1953-1955 Recordings and A Boy From Tupelo: The Sun Masters are available for pre-order now.
A Boy From Tupelo – The Complete 1953-1955 Recordings: Elvis.lnk.to/tupelo
A Boy From Tupelo: The Sun Masters: Elvis.lnk.to/tupelo/amazonvinyl
Disc: 1
1. My Happiness
2. That's When Your Heartaches Begin
3. I'll Never Stand In Your Way
4. It Wouldn't Be the Same Without You
5. Harbor Lights
6. I Love You Because
7. That's All Right
8. Blue Moon of Kentucky
9. Blue Moon
10. Tomorrow Night
11. I'll Never Let You Go (Little Darlin')
12. I Don't Care If the Sun Don't Shine
13. Just Because
14. Good Rockin' Tonight
15. Milkcow Blues Boogie
16. You're a Heartbreaker
17. I'm Left, You're Right, She's Gone
18. Baby, Let's Play House
19. I'm Left, You're Right, She's Gone
20. I Forgot to Remember to Forget
21. Mystery Train
22. Trying to Get to You
23. When It Rains, It Really Pours
24. That's All Right
25. Blue Moon of Kentucky
26. I Love You Because
27. Tomorrow Night
Disc: 2
1. Harbor Lights (Takes 1 - 2, 3/M)
2. Harbor Lights (Take 4)
3. Harbor Lights (Takes 5 - 8 )
4. I Love You Because (Takes 1 - 2)
5. I Love You Because (Take 3)
6. I Love You Because (Takes 4 - 5)
7. That's All Right (Takes 1 - 3)
8. Blue Moon of Kentucky
9. Blue Moon (Takes 1 - 4)
10. Blue Moon (Take 5)
11. Blue Moon (Takes 6 - 8 )
12. Blue Moon
13. Dialogue (Fragment before "Tomorrow Night")
14. I'll Never Let You Go (Little Darlin') [Incomplete Take]
15. Good Rockin' Tonight (Fragment from Vocal Slapback Tape)
16. I Don't Care if the Sun Don't Shine (Takes 1 - 3/M)
17. I'm Left, You're Right, She's Gone (Slow Version, Take 1)
18. I'm Left, You're Right, She's Gone (Slow Version, Take 2)
19. I'm Left, You're Right, She's Gone (Slow Version, Take 3)
20. I'm Left, You're Right, She's Gone (Slow Version, Takes 4 - 5)
21. I'm Left, You're Right, She's Gone (Slow Version, Takes 6 - 7)
22. How Do You Think I Feel (Guitar Slapback Tape, Rehearsals + Take 1)
23. When It Rains It Pours (Vocal Slapback Tape, Take 1)
24. When It Rains It Pours (Vocal Slapback Tape, Take 2 - Rehearsal 1
25. When It Rains It Pours (Vocal Slapback Tape, Take 5/M)
26. When It Rains It Pours (Vocal Slapback Tape, Takes 6 - 8 )
Disc: 3
1. That's All Right (Live from the Louisiana Hayride, Shreveport, Louisiana)
2. Blue Moon of Kentucky
3. Shake, Rattle And Roll
4. Fool, Fool, Fool
5. Hearts of Stone
6. That's All Right (Live from the Louisiana Hayride, Shreveport, Louisiana)
7. Tweedlee Dee (Live from the Louisiana Hayride, Shreveport, Louisiana)
8. Shake, Rattle and Roll
9. KSIJ Radio commercial with DJ Tom Perryman
10. Money Honey
11. Blue Moon of Kentucky
12. I Don't Care If the Sun Don't Shine
13. That's All Right (Louisiana Hayride, Shreveport, Louisiana)
14. Tweedlee Dee
15. Money Honey
16. Hearts of Stone
17. Shake, Rattle and Roll
18. Little Mama
19. You're a Heartbreaker
20. Good Rockin' Tonight
21. Baby, Let's Play House
22. Blue Moon of Kentucky
23. I Got a Woman
24. That's All Right
25. Tweedlee Dee
26. That's All Right
27. I'm Left, You're Right, She's Gone
28. Baby, Let's Play House
29. Maybellene
30. That's All Right (Live from the Louisiana Hayride, Shreveport, Louisiana)
31. Bob Neal Radio Promotion Spot
32. I Forgot to Remember to Forget
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- Atomic Powered Poster
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Liest sich für mich jedenfalls alles sehr gut, damit ist das Thema für mich, wenn es keine Sensationsfunde mehr geben sollte, abgeschlossen.
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Atomic Powered Poster schrieb: Warum hat man bei CD 3 den Radiospot vor IFTRTF gesetzt? So wird die Reihe der Liveaufnahmen unterbrochen. Ist das in der Chronologie der Aufnahmen begründet?
Beim ersten Überfliegen würde ich sagen, man hat die damals verkaufte FTD Veröffentlichung genommen, auf welcher dieser Radiospot der letzte Track ist, und hat einfach die nachträgliche Ergänzung an das Ende gesetzt.
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- Atomic Powered Poster
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www.facebook.com/Elvisthemusic/videos/10155386050839153/
Und:
Elvis Presley: 'A Boy From Tupelo' Set Collects Every Early Recording
www.rollingstone.com/music/news/elvis-pr...ly-recording-w485835
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DumbAngel schrieb: Hier ein Trailer zur Veröffentlichung. Soll angeblich auch zu sehen sein, wenn man nicht bei Facebook registriert ist:
Ja das geht.

Ich für mich habe beschlossen, dass ich mir das Set nicht kaufe. 30,00 - 40,00 Euro lediglich für ein Lied, welches ich nicht habe, das ist mir dann doch zu teuer. Ich werde mir die Live Version von I forgot... wohl einfach als Download kaufen.
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Atomic Powered Poster schrieb: Den Gedanken hatte ich auch, aber da die Studiofassung seine letzte SUN Single war könnte da ja auch die Chronologie eine Rolle spielen.
Wenn die Angaben richtig sind, hat es tatsächlich chronologische Gründe:
30. "That's All Right" (Recorded at the Louisiana Hayride, Shreveport, Louisiana, August 20, 1955)
31. Interview with Bob Neal (Recorded at WMPS Radio, Memphis Tennessee, between August 29-31, 1955)
32. "I Forgot To Remember To Forget" (Recorded at the Louisiana Hayride, Shreveport, Louisiana, October 29, 1955) *
www.rollingstone.com/music/news/elvis-pr...ly-recording-w485835
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Bitte anmelden oder registrieren um das Bild zu sehen.
„Zeit, die man zu verschwenden genießt, ist nicht verschwendet.“ — John Lennon
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