Scotty Moore veröffentlicht am 01.07.2013 in Zusammenarbeit mit James L. Dickerson das 304 Seiten starkte Buch "Scotty And Elvis - Aboard The Mystery Train" bei "University Press Of Mississippi".
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Along with bass player Bill Black, the triorecorded an old blues number called "That's All Right, Mama." It turned out to be Elvis's first single and the defining record of his early style, with a trillingguitar hook that swirled country and blues together and minted a sound with unforgettable appeal. Its success launched a whirlwind of touring, radio appearances, and Elvis's first break into movies. Scotty was there every step of the way as both guitarist and manager, until Elvis's new manager, Colonel Tom Parker, pushed him out.
Scotty and Elvis would not perform together again until the classic 1968 "comeback" television special. Scotty never saw Elvis after that.
With both Bill Black and Elvis gone, Scotty Moore is the only one left to tell the story of how Elvis and Scotty transformed popular music and how Scotty created the sound that became a prototype for so many rock guitarists to follow. Thoroughly updated, this edition delivers guitarist Scotty Moore's story as never before "
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